Awesome Link OS turns a client brief into a send-ready bid — treatment, budget, locations, directors — in hours instead of days. Then it runs the job it wins. Built inside a working production house. Priced for yours.
Every screenshot on this page is the real Awesome Link OS running — the same software you'd run your house on.
Every production house sits on gold it can't reach at bid time: the rates that won last season, the venue a scout shot two years ago, the director whose reel fits this exact brief. Awesome Link OS puts all of it in one dark, fast workspace — and an AI that actually reads it.
It wasn't designed in a pitch deck. It was built inside The Awesome Link Films in Cairo and battle-tested on real campaigns, real budgets and real deadlines — every feature shipped here won real work first, then opened to houses across the region.
The first two are the founding house's own workspace — proof the engine runs on real volume, not a demo. It doesn't ship loaded with anyone's data: every house that joins starts empty and builds its own.
Paste the brief — an email, a PDF, a WhatsApp forward. The engine reads it like a producer: deliverables, shoot type, market, deadline. Then it drafts the bid from your numbers, in the exact budget format clients already sign.
Text, PDF or forward. Brand, agency, deliverables and market — extracted, not retyped.
Your budget profiles and won bids do the pricing — matched crew, venues and the € wedge. Unknowns get flagged, never guessed.
You edit every line. Totals, markup and VAT recompute live as you go.
Your logo, your accent, the house format — as a PDF or a passcode-gated pricing page. Send-ready, not template-shaped.
Draft → sent → won/lost, with dates. Your win-rate and turnaround, instrumented from day one.
Brief in on the left → the house's house-style proposal scaffold on the right: Direction · Casting · Brief · Approach · Deliverables · Plan · Investment · Terms, with a passcode-gated budget.
Have last job's numbers? Drop the production budget — PDF, Excel, Numbers, CSV, even a photo, up to 120 MB. The OS reads every line item, re-runs the math, and grounds the Investment split in what you actually spent — then hands you a house-style budget PDF to send with the bid.
Upload & analyze — every line read, the totals checked, the Investment split grounded in a budget that actually shipped.
Backlots, palaces, period streets, suburbs — your whole scouting memory, indexed with real stills and answering in one keystroke. Search narrows as you type; filters cut by look and permit reality; every venue opens into a full lightbox. The founding library ships with 438 scout stills from the founding network — then yours pour in.
№01 · New York street — backlot · 34 stills
№02 · Castles & palaces · 29 stills
№03 · 19th century · 24 stills
№04 · American suburb · 11 stills
№05 · Grand arcades · 142 stillsThe rebate calculator runs this math live inside every bid — the € wedge your client never saw coming.
Your roster carries more than phone numbers. Every director travels with a reel, credits and a researched signature — the OS studies each creative's actual work and writes down what makes them them.
When a brief lands, the matcher ranks the roster by fit to the job — and the pitch shows the client why: the signature, the reel, the proof.
Studio is the AI in residence — and it reads your workspace, not the open internet. Ask it a producer's question and it answers from your venues, your roster, your rates, your history.
Then it goes further: through the OS action protocol it navigates, filters and spotlights the interface for you. You talk; the OS moves.
The whole prep chain, house-style, in one place. Drop a treatment, PPM or shot-list and the OS reads it into a breakdown — scene by scene, Arabic kept in Arabic. Edit every cell, add stills, reorder, then build the call sheet from the same data, pulling hospital and parking straight from a scouted location. Shooting board, recce schedule and PPM contact report ride along.
Breakdown · Shooting Board · Recce · Contact Report · Call Sheet — one prep spine, print-ready PDFs out.
A Director-Requirements or DoP-Camera-List link — the director or DOP fills it on their phone, no login, picking from camera, lens, lighting and movement suggestions. Their answers land back in your house, tied to the production, and ping your notifications.
No more chasing camera lists over WhatsApp — the requirements come back structured, saved to the job.
Winning the bid is act one. The OS runs the rest of the house with you — one task list the whole team can see, a studio chat that keeps files and decisions in one place, and the pipeline that ties it all together.
One next-steps list spanning pipeline, outreach and gap moves — each with a due date and a priority, so nothing high-stakes slips. Filter by lane, tick it off, move on.
Team chat built into the house — channels for the crew and production management, plus direct messages. Files and project links live where the work does, not scattered across three other apps.
Every job with a status, a phase and one honest next action. The whole slate on one dark board.
Every project points at both the brand and the agency — because that's how the money actually flows.
Role rates by market, EGP and EUR, fed by every job you close. The engine's fuel — and yours alone.
Leads and partner houses tracked from first hello to signed deal, with the AI drafting the approach.
Every feature ships with a how-to. Reports, playbooks and the knowledge your bids reason from.
Old bids, decks, call sheets, location PDFs — upload them and watch venues, people and rates extract themselves.
Run the house hands-free — ask and command by voice, with the studio answering on any screen in the room. The Studio ask bar is live today; full voice and ambient control land through 2026.
A full right-to-left Arabic interface — every screen and every export, MSA throughout — so a Cairo or Gulf house can run entirely in Arabic. The translation layer is built; RTL rollout lands in 2026.
On the roadmap — not yet live. Founding houses shape what ships first.
Bid a won project, then track it Sent → Paid. The Money workspace shows what you've booked, received and are still owed, with markup and margin on top — so the number you quoted and the cash that actually lands never drift apart.
Invoiced · received · outstanding · overdue — the house's cash position at a glance.
Reports pulls money, pipeline, the week ahead and where in the world your locations sit into a single view — print it or save a PDF for a partner or a board.
And Inventory keeps the wardrobe, props, set pieces and branding kits that have a second shoot in them — tagged by the project that paid for them, so you know what's already bought next time you bid.
A production house runs on trust — client budgets under NDA, crew rates, unreleased work. The OS is built like it knows that.
Every house is an island. Yours is yours alone.
No pooling, no silent training, no lock-in. Your clients, rates, venues and unreleased work stay inside your walls — and the day you decide to leave, the whole workspace exports and walks out with you. The moat isn't our software. It's your data, and it stays yours.
For a solo producer or freelancer sending bids on their own.
For a small studio getting its bidding engine running.
For a working production house running real campaigns.
For a full house running many productions at once.
Networks, groups and houses with their own rules — custom integrations, data residency, SSO and a security review. Bespoke pricing.
Let's talk →Invite-only, for the first hand-picked houses: 30% off year one on any annual plan, with the price locked at renewal. If you're reading this before the public launch, you're early enough to ask for a code.
Ask for a code →Every plan: 14-day free trial · no card up front · cancel anytime · prices exclude VAT · annual billed once a year at 10× monthly — two months free.
A 20-minute walkthrough on your own kind of brief — we'll put a real one through the engine and you watch the bid come out. From there, the trial is yours.
What we ship, what we learn running real campaigns on it, and when the doors open wider. No noise — a few emails a year.
Every production house on earth bids the same way: from memory, in spreadsheets, over days it doesn't have. We built the OS that turns that into hours — inside a working house, on real campaigns, before selling a single seat.
We're opening early conversations with investors who know production, software, or the MENA ⇄ Europe corridor. If that's you, we'd rather show you the engine than send you a deck.
Not an offer to sell securities — an invitation to talk.
